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Run Into Every Story

Title Spotlightدراما

اكتناز

دراما

يتبع العمل قصة (ماريا)، والتي كانت تعيش رفقة والدتها المصابة بهوس الاحتفاظ بالأشياء، وحينما تنتقل للعيش في منزل بفترة التسعينات رفقة رجل يُدعى (مايكل)، يساعدها الأخير على استعادة ذكريات الطفولة التي مرت بها.

السنة

2024

المدة

2h 6m

IMDb

6.5

شاهد الآن

Hero Poster

طاقم العمل

LC

Luna Carmoon

Director

Hayley Squires

Cynthia

LL

Lily-Beau Leach

Young Maria

طاقم العمل

LC

Luna Carmoon

Director

Hayley Squires

Cynthia

LL

Lily-Beau Leach

Young Maria

DH

Deba Hekmat

Laraib

Alexis Tuttle

Mrs. Norwood

JC

James Cooper

Jeremy

Saulius Cajauskas

Paramedic

CJ

Christian Jenner

Policeman 1

SR

Sarah Rose Denton

Social Worker

Samantha Spiro

Michelle

Erin Jemmotte

Young Laraib

Nabil Elouahabi

Ali

Saura Lightfoot-Leon

Maria

Sandra Hale

Janice

Tim Bowie

Pete

Joseph Quinn

Michael

Cathy Tyson

Sam

Pena Iiyambo

Ellie

HM

Honey Makwana

Holly

LC

Luna Carmoon

Writer

الإعلان الترويجي

اختيارات مميزة

هل تريد المزيد من الترفيه؟ استكشف منصة الألعاب المقترحة ووجهة الدراما القصيرة التي نوصي بها.

ألعاب فورية

Gamixo

العب ألعاب المتصفح الخفيفة مثل الألغاز والورق والرياضة والتحديات السريعة خلال ثوانٍ.

دراما قصيرة

VSKIT Drama

شاهد المسلسلات القصيرة الرائجة وقصص الرومانسية والدراما الجديدة مع تحديثات يومية سريعة.

التعليقات

10 تعليق

Faith_nketsiMar 21, 2026

Ansaba♥️Jun 13, 2025

An awful movie its a disgusting experience and its a very bad movie, Quinn its the only actor in here with good lines, the plot and everything it makes no sense and its not fun ti watch, im kinda piss about everything about this little English movie, it has no sense existing, they are mocking about this condition of hording, we people who are horders we dont put our loved ones in danger for accumulating trash ok, we care more about our safety than collecting trash, there is no horder that livew like that ok we are better than that, this movie don't represent us ok, there is nothing wrong in collecting trash, there is no crime 4/10.

Lateef AdedimejiJul 24, 2024

MélanieoJul 24, 2024

Omowunmi AroleJul 24, 2024

Jeancia JeudinaJul 23, 2024

Asmae CharifiJul 23, 2024

source: Hoard

Nana Ama KakrabaJul 16, 2024

In her directorial debut Luna Carmoon captures extraordinarily how we can be connected to our positive childhood memories and experiences even when they can be seen as strange and even traumatic by some. Essentially "Hoard" tells the story of love - platonic, friendly, physical or parental, and the way it can affect our behaviour and also our personality. But Carmoon decided to show slightly disturbing and sometimes disgusting side of connecting and bonding of two people, which made the whole film more gripping in my opinion. I found this concept intriguing and although there were some themes I would have wished to be more developed, I am really interested to see what comes out next from the mind of Carmoon. I must highlight the debut performance of Saura Lightfoot Leon in the leading role whose stubborn, emotional and fragile yet brave Maria carried the narrative. In the supporting role the new rising star Joseph Quinn proved that he has the talent even for more artistic approach in film-making than just for mainstream production like Stranger Things (his break-out role).

système codifié 241Jul 16, 2024

Writer/director Luna Carmoon introduced this film at the 2023 London Film Festival by telling the audience she "hoped you find it unsettling". And it is true it contains sequences that had some audience members squirming in their seats. But this reviewer is afraid that rather than unsettling, he merely found it boring. As a young child, Maria lives with her mother Cynthia, who is a hoarder, meaning their house is stuffed to the rafters with the rubbish Cynthia finds on all-night scavenging trips, as well as a ferret and nests of dead rats. An increasingly tedious first act is set in the exciting, rubbish-strewn world Cynthia creates for her daughter: the pair are undoubtedly close, but there is only so much noisy play-fights and primal screaming the audience can take. It comes as a relief when Cynthia is buried under a collapsing pile of her own rubbish; at last the story can move on. Maria is taken into care and placed with Samantha Spiro, doing her working-class-heart-of-gold shtick. Several years later she has grown into the willowy form of Saura Lightfoot Leon and appears none the worse for her chaotic early years - until, that is, a former foster child, dustman Michael (Joseph Quinn), returns with an unconvincing tough-guy accent and a succession of grubby vests. There are undoubtedly some stand-out moments in this: for instance, the initial coupling between Maria and Michael is almost by itself worth the price of admission for the bewildered expression on passive participant Michael's face. But every time the viewer is lulled into thinking the scenes of kitchen sink drama may lead to an increase in interest levels, up comes another overly-staged shot, or round of primal screaming, or characters acting too weird for words. There is, it turns out, a method to the madness - but by then I had lost interest, feeling every one of the film's 126 minutes. Definitely an acquired taste!

BryATK✨Jul 16, 2024

An examination of trauma, this film is relentlessly tense as the vulnerability of the main characters means they're constantly on the edge. It left me asking questions of the effect of trauma on relationships and the individual, which I suspect was the aim. The actors carry themselves faultless, the breakout young star a particular highlight, though the script falls flat a few times. The direction is stupendous - the way they turn a hot iron in to a menacing, predatory presence was a favourite of mine Sometimes it's incoherent which makes the film difficult to follow scene by scene, and can fall in to itself, but the intensity never abides and all you really want is for these damaged people to turn out OK.