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Les Nuits chaudes de Berlin

DrameWar

Kitty dirige un bordel dans l'Allemagne nazie où les soldats viennent se « détendre ». Des appareils d'enregistrement ont été installés dans chaque pièce par un responsable de l'armée avide de pouvoir, qui prévoit d'utiliser ces informations pour faire chanter Hitler et s'emparer du pouvoir.

Année

1977

Durée

2h 9m

IMDb

5.4

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Hero Poster

Casting

Tinto Brass

Director

Helmut Berger

Helmut Wallenberg

Ingrid Thulin

Kitty Kellermann

Casting

Tinto Brass

Director

Helmut Berger

Helmut Wallenberg

Ingrid Thulin

Kitty Kellermann

Teresa Ann Savoy

Margherita

John Steiner

Biondo

SS

Sara Sperati

Helga, the dominatrix

Maria Michi

Hilde

RL

Rosemarie Lindt

Susan

Paola Senatore

Marika

John Ireland

Cliff

Tina Aumont

Herta Wallenberg

AB

Alexandra Bogojevic

Gloria

Dan van Husen

Rauss

Ullrich Haupt

Professor

SS

Stefano Satta Flores

Dino

Bekim Fehmiu

Hans Reiter

GB

Giancarlo Badessi

Officer with Projector

Luciano Rossi

Dr. Schwab

GB

Gianfranco Bullo

Wolff

Ennio De Concini

Writer

MP

Maria Pia Fusco

Writer

Tinto Brass

Writer

LV

Louise Vincent

Writer

AC

Antonio Colantuoni

Writer

PN

Peter Norden

Writer

Bande-annonce

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Commentaires

10 commentaires

ateeq ur rehmanJul 5, 2026

rg

M4RK1C08Feb 20, 2026

skip Skipp🤣

Oumarou IsmaelFeb 14, 2026

version français

Rizwan AkramDec 2, 2025

g

CSK FansAug 20, 2024

Sick, demented and perverted trash. Watching this film left a bad taste in my mouth. Many of the most demented scenes ever put on film. Hard to believe that the actresses allowed themselves to be degraded making this piece of human waste. Enough said. This is Pure Trash!

Mona LisaMar 10, 2024

What i like in tinto brass's films is the nudity of beautiful women.CHEEKY,ALL LADIES DO IT,PAPRIKA and FRIVOLOUS LOLA, just to name a few,really delivers the merchandise. But not every film by brass delivers the scenes lovers of the female form crave for. Sometimes the * scenes are too few and the actress's look is pretty dull like in THE KEY,MIRANDA or many of the TINTO BRASS PRESENTS segments. Other times, there is too much bloody violence like in CALIGULA or in SALON KITTY. And sometimes Brass puts too much male genitalia or gay characters in his films. (Zero gay characters is pretty much what would be acceptable to me!) PAPRIKA had a strong storyline and plenty of female nudity but the scene where a younger man has sexual intercourse with an older man made me want to throw up! Some of the excessive violence in SALON KITTY consists of slaughtered pigs,a scene featuring a woman who died of a self induced abortion and a blood stained mirror after the shooting of a man. The producers thought the blood stained mirror was so beautiful that this scene is even featured in the trailer! Normally my thoughts are that male genitalia should only be featured when a man is about to make love to a woman.Here there's the dancing men with women 's dress lifting their skirts and a * made of bread. None of this was appealing to me. The main female star in this film is Theresa ann savoy. She's pretty and steals every scene in which she's in. I also liked the scene where about 15 women are standing naked side by side after getting undressed. I don't remember seeing a shot like this in any other films & i've seem a lot! When you strip this overlong film of it's gore, it's cabaret singing & dance scenes,it's ugly people having sex scenes and concentrate on the Theresa ann savoy story which involves the killing of a man she loved and her plan for revenge, there 's a good story here somewhere for sure but you've got to watch a lot of unappealing stuff to get there!

mohamedzeinFeb 27, 2024

Up until things got ugly, war-torn Europe must have been an interesting place to be, if we're to believe the environment presented in Salon Kitty: sex, debauchery and feasting in full force, with little care for tomorrow. Looks OK to me. The curtains open to nasty Nazi Helmut Berger overseeing medical experiments in the name of racial purity; then, in the name of the Fuhrer, he gathers an excellent sample of pretty young things to put into action an orgy of epic proportions. All this would appear to be in the name of having a good time, but their claim is that they've got the future of their nation on their minds. Berger then subjects the ladies to degrading acts to weed out the weak; this treats the audience to scenes of intimacy with a brutish monster, a humpback, a corpulent, a gypsy and of course a Jew. Well-paid, free spirited Ingrid Thulin celebrates the war on Poland at her house of sin until Berger has it shut down. The Nazis give her new girls to work with, in the name of Adolf, but she finds them too dull and pure. Nevertheless, she goes to work, unaware that the Nazis are using the bordello to eavesdrop on their officers. Innocent upper-class recruit Teresa Ann Savoy begins to develop a relationship with officer John Steiner, unfortunately shot as a traitor after her Nazis learn of their conversations. This brings her to Berger's attention, who forces her to indulge in moral misbehavior with his wife Tina Aumont. The girls begin to revolt against the oppressive Nazis as the film concludes in a flurry of sex, death and steambaths. I can't think of any non-pornographic film that contains quite so much nudity as Salon Kitty. As accomplished in Salo with notably greater ease, Brass tries to inundate his film with enough conceptual content and political intrigue to avoid being sequestered in the nudie film ghetto . Unlike standard erotically charged cinema, it starts off slow, relying primarily on suggestion and gore. However, once Berger parades the line of young ladies into their headquarters, the sex doesn't stop. Surprisingly little of the nudity is appealing. Salon Kitty appears far more interested in the connotations of the bare flesh than in the prurient appeal of women's bodies. Some symbolism reeks of the obvious; few self-respecting filmmakers would put a shot of pigs being slaughtered early in a film about Nazi debauchery. Brass seems more at home relishing in the visual appeal than criticizing the activities. Much of the sex will not appeal to fans of straightforward erotica, or even *. The image of a woman humiliating a man for wearing a pubic wig may have its audience, but it's a relatively minor, *-inclined one.

IammohofficialFeb 27, 2024

SALON KITTY is a strange slice of Nazisploit cinema. It's a film that starts off high on the sleaze-meter, but gradually evolves into a serious "period-drama" - and in my opinion - this is what kills the film. The first half-hour or so get you psyched up for a raunchy and perverse exploit film, but as it goes on, SALON KITTY turns into a romantic drama and serious war film. That's not to say that I can't enjoy a serious film, but that's not what I was expecting going into this one... SALON KITTY is actually the name of a whorehouse, run by a madame named (you guessed it...), Kitty. The Nazi's shut down her house-of-ill-repute and set her up with some new digs, complete with surveillance devices in the girl's rooms for spying on their fellow Nazi comrades in order for power-hungry Helmut to get the dirt on his pals. Meanwhile, Margherita and a bunch of other SS sluts are handpicked to be ho's for the new salon (keep an eye out for the cross-eyed freak from SALO as one of the salon patrons...) - and it's their duty to service the high-class clientele. Margherita ends up falling for a Nazi pilot who decides he wants out of the Reich - and this causes problems all-around. Eventually, Margherita is pitted against Helmut in a life-or-death power struggle of lies and betrayal... First off - SALON KITTY is actually a very good film. The cinematography is excellent, the sets are lavish, the acting is all very good, and the storyline is pretty top-notch. The problem is - that if I wanted to watch a serious war drama, I'd watch the DIRTY DOZEN or something. Being that SALON KITTY was from the same man that gave us the epic sleaze "masterpiece" CALIGULA, KITTY is just way too weak for an exploit film. The beginning starts off promising with a Nazi orgy, and a particularly "fun" set of scenes where the "ho's-in-training" are evaluated on their "abilities". This awesome scene includes a chick boning a hunch-backed midget, another chick bangin' a double-amputee, another getting raped by the same nasty scumbag that plays "the Beast" in SS HELL CAMP, another chick screwing a tattooed Gypsy, and one girl trying to blow a concentration camp victim - now that's primo sleaze - but unfortunately, it doesn't last, and although there is still a ton of soft-core sex and nudity throughout, the "serious" plot gets in the way of the fun. Definitely worth a look to exploit/Nazisploit fans - but don't expect too much sleaze - the first half-hour or so is nothing' but a tease...7/10

Besty_Feb 27, 2024

Of course, it's all done in the worst possible taste. Tinto Brass' "Salon Kitty" is soft, verging on hard, core Eurotrash set in Nazi Germany with something to offend everyone, cineastes probably most of all, particularly if you're not a fan of bad dubbing, (it's said to be in English and is like a porno version of "Cabaret"). Ingrid Thulin is Kitty who runs the salon of the title, Helmut Berger is a typically degenerate German officer and there's a large multi-national cast that includes none other than John Ireland, (did they really think he could sell it to the American market?). Of course, if this is your bag you won't be disappointed and whatever it lacks in taste it makes up for in design. This is a very good-looking 'dirty' picture, the ultimate dirty-mac movie with copious amounts of male and female nudity with both sexes obviously chosen for their physiques and not their acting chops. For explictness it puts Visconti's "The Damned" in the shade and if it leaves you feeling very queasy then I guess you can say it's done it's (really rather appalling) job.

grini_fFeb 27, 2024

This is the sort of exploitation movie that will please Neo-Nazis and Holocaust Deniers in that it trivializes the Nazis and their crimes. Take away the vulgarity, the full frontal nudity, and the cartoonish Nazis, and you're left with nothing. The makers of the movie know nothing of the history involved, not that they care. For one thing, German Jews did not wear the Star of David " Jew Badge" until September, 1941, but there is a Jewish family at the start of the movie, sometime before 1 September, 1939 wearing them. This is a movie best avoided. Stuart swgreif@hotmail.com