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Fountaine and the Vengeful Nun Who Wouldn't Die

فعلرعب

Mary, The Maniac Nun must battle through gangs of thugs, a corrupt Church and even a few Nazis to bring her sister's killer to light and make them pay for her overdose.

السنة

2021

المدة

1h 25m

IMDb

5.2

شاهد الآن

Hero Poster

طاقم العمل

James Dean

Director

MS

Mallory Stern

Mary 'Maniac Nun'

RC

Ron Clower

Sam

طاقم العمل

James Dean

Director

MS

Mallory Stern

Mary 'Maniac Nun'

RC

Ron Clower

Sam

Jaclyn Tripp

Lee

BD

Brian Davis

The Master

Joel Antony

Fountaine's Bodyguard 1

Kurt Aubuchon

Priest

Alexis Austriaco

Sister Carol

KB

Kyle Blackwell

Nunchuck Thug

NB

Nicholas Blackwell

Father Stinky Breath

SB

Shelby Bouren

Mercenary Extra

DD

David D. Bowers

Gang member - Biker

Laura Candice

Mercenary Extra

Lou Cariffe

Bartender

JD

Jennifer Deame

Ursula

Christine Elaine

Stripper

Adam L. Flowers

Mike Lem

YG

Yash Gajera

Thug with a Gun

DG

Daniel Garza

Stairwell Thug 2

James Dean

Writer

LO

Louis Otero

Writer

الإعلان الترويجي

قد يعجبك أيضًا

اختيارات مميزة

هل تريد المزيد من الترفيه؟ استكشف منصة الألعاب المقترحة ووجهة الدراما القصيرة التي نوصي بها.

ألعاب فورية

Gamixo

العب ألعاب المتصفح الخفيفة مثل الألغاز والورق والرياضة والتحديات السريعة خلال ثوانٍ.

دراما قصيرة

VSKIT Drama

شاهد المسلسلات القصيرة الرائجة وقصص الرومانسية والدراما الجديدة مع تحديثات يومية سريعة.

التعليقات

6 تعليق

Tolou Anne MireilleMay 12, 2023

I've been a huge fan of Nunsploitation flicks throughout my life. I started out sneakily watching them late at night on HBO/Showtime/Cinemax in the 90s when I wasn't supposed to and I always dug the nun movies. This movie GETS IT! It's not looking to be perfect, it's looking to be a love letter to the genre. Everything in it had little nods to other flicks not just of Nunsploitation but also Revenge, Horror, Blacksploitation, as well. It is fun, has positive lgbtqia+ representation, lots of blood, and you can tell it was a labor of love. This deserves your attention. I watched it for free on Tubi.

Twambilile GhambiMay 12, 2023

In case you need a content warning, this is definitely not a film to watch with your kids. It lets you know that in the opening sequence, but it may need stating if you are watching on a whim. I'm from St Louis where this was produced, so there's an added layer to my experience with the film. I enjoyed seeing various locations that I've visited, and actors that I'm familiar with from other projects. I'm not sure how much that biases me with the performances or production design, but I thought the scenery was one of the stars in this pic. There are certain things that you expect with a micro-budget that you have to be quick to forgive if you want to give a film a fighting chance, but this one succeeds where others fail. Set-ups are paid off, characters behave as they should, structurally, everything operates like the grind house/exploitation films it's emulating. It may seem like a low bar if you aren't familiar with micro-budget films, but even if you aren't there's not a lot of confounding or frustrating writing elements here to dissuade you from completing the movie. The production doesn't emulate that grindhouse style too often though. It looks very slick with impressive cinematography and a sharp, clean look. There are a few very stylish film transitions including a very well orchestrated match/smash cut that I was impressed by. There are also moments where the lighting looks much closer to the more artistic Italian 70's films than their grungy American counterpart. There's a lot of "troma-esque" humor in here too with over the top violence and sometimes laughable reactions to being horribly mutilated. I had a good chuckle at a decapitation where the corpse continued standing for just a little too long. This mix of camp and style makes it it's own unique film, but sometimes betrays what would otherwise be more forgivable with a rougher edged aesthetic. Some dialogue scenes break the 180 degree rule, and there's a scene between our lead and a child that stays fixed in a two shot where the pace and performance could have been enhanced with some editing. There's some crude dialogue with hammy performances, that would probably land a little better with tighter editing, but instead, we have longer takes to give the cinematography a chance to breath, but it's at the detriment of even the schlockiest of performance. These are relatively minor gripes in the grand scheme of things. I suppose the inverse could be true for other viewers. All of the promotional material seems to say it's a straight grindhouse throwback, but there's enough originality to appeal to some people who might not choose that type of film regularly. It's a very solid film that doesn't take itself too seriously. If you are part of the St. Louis scene, it's almost essential viewing.

user9657708242373May 12, 2023

Mary the Maniac Nun started out in a short film a few years back that really caught my attention. I've been waiting two years to see the feature film and it did not disappoint!! It's gory, the story and plot hold up, the characters are fleshed out and interesting. Its an exploitation film, so it's not for most folks. But if you love blood and sword fights and priests sniffing coke of nuns asses, then you'll prolly like this film.

Poco_leeApr 8, 2023

In case you need a content warning, this is definitely not a film to watch with your kids. It lets you know that in the opening sequence, but it may need stating if you are watching on a whim. I'm from St Louis where this was produced, so there's an added layer to my experience with the film. I enjoyed seeing various locations that I've visited, and actors that I'm familiar with from other projects. I'm not sure how much that biases me with the performances or production design, but I thought the scenery was one of the stars in this pic. There are certain things that you expect with a micro-budget that you have to be quick to forgive if you want to give a film a fighting chance, but this one succeeds where others fail. Set-ups are paid off, characters behave as they should, structurally, everything operates like the grind house/exploitation films it's emulating. It may seem like a low bar if you aren't familiar with micro-budget films, but even if you aren't there's not a lot of confounding or frustrating writing elements here to dissuade you from completing the movie. The production doesn't emulate that grindhouse style too often though. It looks very slick with impressive cinematography and a sharp, clean look. There are a few very stylish film transitions including a very well orchestrated match/smash cut that I was impressed by. There are also moments where the lighting looks much closer to the more artistic Italian 70's films than their grungy American counterpart. There's a lot of "troma-esque" humor in here too with over the top violence and sometimes laughable reactions to being horribly mutilated. I had a good chuckle at a decapitation where the corpse continued standing for just a little too long. This mix of camp and style makes it it's own unique film, but sometimes betrays what would otherwise be more forgivable with a rougher edged aesthetic. Some dialogue scenes break the 180 degree rule, and there's a scene between our lead and a child that stays fixed in a two shot where the pace and performance could have been enhanced with some editing. There's some crude dialogue with hammy performances, that would probably land a little better with tighter editing, but instead, we have longer takes to give the cinematography a chance to breath, but it's at the detriment of even the schlockiest of performance. These are relatively minor gripes in the grand scheme of things. I suppose the inverse could be true for other viewers. All of the promotional material seems to say it's a straight grindhouse throwback, but there's enough originality to appeal to some people who might not choose that type of film regularly. It's a very solid film that doesn't take itself too seriously. If you are part of the St. Louis scene, it's almost essential viewing.

WeshApr 8, 2023

Mary the Maniac Nun started out in a short film a few years back that really caught my attention. I've been waiting two years to see the feature film and it did not disappoint!! It's gory, the story and plot hold up, the characters are fleshed out and interesting. Its an exploitation film, so it's not for most folks. But if you love blood and sword fights and priests sniffing coke of nuns asses, then you'll prolly like this film.

Sylvester Tumelo LesApr 8, 2023

I've been a huge fan of Nunsploitation flicks throughout my life. I started out sneakily watching them late at night on HBO/Showtime/Cinemax in the 90s when I wasn't supposed to and I always dug the nun movies. This movie GETS IT! It's not looking to be perfect, it's looking to be a love letter to the genre. Everything in it had little nods to other flicks not just of Nunsploitation but also Revenge, Horror, Blacksploitation, as well. It is fun, has positive lgbtqia+ representation, lots of blood, and you can tell it was a labor of love. This deserves your attention. I watched it for free on Tubi.