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Run Into Every Story

Title Spotlightدراما

حب بعد حب

درامارومانسي

لم يكن والدهم عالمًا بأفضل الأشياء، لكنه كان يبذل قصارى جٌهده للحفاظ على شعورهم بالألفة والاستقرار والحب غير المشروط داخل أسرتهم الصغيرة. لكن عندما تخسر العائلة معركتهم العنيفة ضد المرض القاتل الذي ألَّم بوالدهم واختزله من قائمة الأحياء، يصبح لزامًا على كلٍ من (سوزان) وأولادها (نيكولاس، وكريس) أن يحافظوا على استقرارههم وثباته دون الاستعانة بالدعم السابق من الأب الراحل.

السنة

2018

المدة

1h 31m

IMDb

5.5

شاهد الآن

Hero Poster

طاقم العمل

Russell Harbaugh

Director

Andie MacDowell

Suzanne

Chris O'Dowd

Nicholas

طاقم العمل

Russell Harbaugh

Director

Andie MacDowell

Suzanne

Chris O'Dowd

Nicholas

James Adomian

Chris

Gareth Williams

Glenn

AG

Alex Goldberg

Alex

GM

Graham Mason

Graham

DL

Doris Lowerre

Floy

John Magary

John

PL

Paul L. Brown

Suzanne's Colleague #1

Juliet Rylance

Rebecca

Francesca Faridany

Karen

Dree Hemingway

Emilie

Romy Byrne

Ashleigh

Andrew Beadle

Matthew

MB

Marlene Brown

Suzanne's Colleague #2

MP

Megan Perrow

Hospice Nurse

GT

Graig Thurtell

David

Rebecca Dreyfus

Lauren

Russell Harbaugh

Writer

Eric Mendelsohn

Writer

الإعلان الترويجي

قد يعجبك أيضًا

اختيارات مميزة

هل تريد المزيد من الترفيه؟ استكشف منصة الألعاب المقترحة ووجهة الدراما القصيرة التي نوصي بها.

ألعاب فورية

Gamixo

العب ألعاب المتصفح الخفيفة مثل الألغاز والورق والرياضة والتحديات السريعة خلال ثوانٍ.

دراما قصيرة

VSKIT Drama

شاهد المسلسلات القصيرة الرائجة وقصص الرومانسية والدراما الجديدة مع تحديثات يومية سريعة.

التعليقات

10 تعليق

KwestaMay 29, 2023

source: Love After Love

user9416103087202Nov 22, 2022

The movie purports to be about grief. What we see is all the dysfunction expressed as projected rage, alcoholism, and all the function as "getting on with it." What we don't see is how the "grief" has transformed these people. We never get to see them transform. For all we know we may not be seeing just grief but personalities that have always been that way. It ain't pretty for the son's who dissolve into childishness, and it's hopeful for the widow who hews to maturity. It certainly does not paint a nice picture of liberal elitists.

YungeNov 22, 2022

There's nothing to hate here ... it's a peculiar kind of movie, experiments and does something that to me was at first very displeasant, but after some time you understand what the movie is going for and I must say I ended up liking it very much. I'm young, so I don't know anything about this part of life, but I kept saying to myself ''man life's is going to be much harder''. I have to give special praise to the soundtrack. A very good slice(es) of life movie, I encourage everybody to watch this, don't listen to the bad reviews.

Eddie KayNov 22, 2022

Russell Harbaugh's debut feature is a raw and uncomfortable portrait of a family coping with loss. Its accurate depiction of grief and family drama is profoundly moving and Chris Teague's 16mm cinematography layers the performances with a beautiful degree of intimacy. Essential viewing for fans of independent films and powerhouse performances!

user903174192241Nov 22, 2022

This is not a bad movie. It is an atrocious movie! A complete and utter waste of time, celluloid and popcorn. If only there was a way to regain the time spent watching this worthless drivel. Any fool who believes there is any merit to this movie is severely deluded and quite possibly entirely demented.

Tima’sworldNov 22, 2022

I saw that Metacritic gave it a much higher score and I really like Chris O'Dowd, but I found this film pretentious and embarrassingly disconnected from reality. Drippingly self-indulgent. My wife and I gave it up after 20 minutes. I would not want to know these characters.

Christine ChiromboNov 22, 2022

Love After Love should continue the prepositional phrase forever because the major players in this finely wrought drama are forever looking for love or grieving about it. Matriarch Suzanne (Andie MacDowell) loses her husband and wanders around her two sons almost in a fog of grief but maybe more in puzzlement about how they are working out their fates without her influence. They are flawed adults, like womanizing son, Nicholas (Chris O'Dowd), who has a conflicted intimacy with his mother but more with himself as he wanders among showing the greatest puppy eyes in cinema. He is an emblem of the players who never seem at peace with their current or future partners. This episodic, fragmented story, whose jumping back and forth in time is occasionally disorienting, in its unsympathetic way, reveals the puzzle-like lives of sentient beings who witness death, go through its mourning rituals, and search for love, carnal and otherwise, in, it would seem, a hedge against oblivion. Co-writer/director Russell Harbaugh, in a promising debut, navigates smoothly in rough affective waters, saving the best scenes by interspersing them among some fairly quotidian events that play naturally to the death motif. When alcoholic son, Chris (James Adomian), does a standup about the difficulty of Jesus competing with his Father, the metaphor is not lost but not heavy-handed either. Both sons are struggling to compete with dad and themselves. Love After Love is a satisfying drama about all of us in families we know have dysfunctional working parts but who are on the greatest quest of all for love after love, after love, after love, forever.

Andy_Nov 22, 2022

Two minor quibbles: Why do people in these kinds of character study films always have glamorous jobs? And the sheer number of sex scenes detracts from the film. Most people Andie MacDowell's age don't look anything like Andie MacDowell. Otherwise, well done.

THECUTEABIOLANov 22, 2022

I have seen enough films at this point to know while watching it that this was one of the first films Russell Harbaugh directed. I knew this because first, there were several instances in which scenes interrupted other scenes without rhyme or reason. This implies that several scenes were, in my opinion, cut short. There were also times when the camera lingered too long on a subject, e.g., Andie McDowell. Related to this was the omission of what probably should have been included, specifically, the consequences of every time Chris O'Dowd's character, Nicholas, cheated on his then lover. In both cases, he just moved along, and whatever consequence there was, was minimal, and the film just progressed to his next involvement. Then, there is the story line. I kept seeing an elephant in the room that no one was talking about and that was the Oedipal thing going on between Andie M. and Chris O'Dowd, as mother and son. Perhaps another film will grow out of this subject that was glaringly there and ignored. It almost felt as if the writer/director couldn't decide what should be the main story line, the emotional aftermath of the death of a family's husband/father, or the Oedipal relationship between the mother and son of that family which was highlighted once the father died. Overall, as someone who can never watch too many "relationship movies", I am glad I saw Love After Love and look forward to Harbaugh's next.

Stroline Mère SuprêmNov 22, 2022

The Director and the film editor should consider alternative careers. Kudos to Andie McDowell for putting herself out there as a gorgeous, magnificant mature woman. A better vehicle for her talents would have been appreciated. No theme, no character development. Writing was insipid. There wasn't one character for whom you could feel connected with even suspending disbelief.. Two hours wasted.