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Run Into Every Story

Title SpotlightComédie

Hits

ComédieDrame

A small town in upstate New York plays host to its inhabitants' delusions of grandeur.

Année

2014

Durée

1h 36m

IMDb

5.8

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Hero Poster

Casting

David Cross

Director

Meredith Hagner

Katelyn Stuben

Matt Walsh

Dave Stuben

Casting

David Cross

Director

Meredith Hagner

Katelyn Stuben

Matt Walsh

Dave Stuben

James Adomian

Donovan

Jake Cherry

Cory

DW

Derek Waters

Larson

Wyatt Cenac

Babatunde

Amy Sedaris

Crystal

David Koechner

Rich

Jason Ritter

Julian

Amy Carlson

Christina Casserta

Jessie Ennis

Juli

Erinn Hayes

Maddy

Michael Cera

Bennie

Kurt Braunohler

Marshal

Julia Stiles

Woman at Dump

Janet Krupin

Megyn McKibbens

Danny Flaherty

Christian

Rosemary Howard

Mrs. Torelli

David Cross

Writer

Bande-annonce

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Commentaires

9 commentaires

sangitalamaMay 29, 2023

source: Hits

𝔗𝔞𝔷𝔪𝔦𝔫 🐉Nov 22, 2022

The writer of this movie is so out of touch with reality. I couldn't even finish it. Just shows how many uneducated people are in "Hollywood."

CharlieNov 22, 2022

I'm taking time to write a review due to the quality of the performances given by the actors in this movie. I just watched it on Netflix. The description says "Starring Julia Stiles, David Koechner, Michael Cera". That isn't accurate. Cera is in two scenes and Stiles' appearance is even shorter. IMDb says the budget was $1 million, so there is no way they could afford to pay the salaries those names would command as stars. The real stars of the movie were Meredith Hanger and Matt Walsh. Matt is a character actor who has been in countless TV shows and movies. Meredith is an up and comer who got her start in soap operas. The characters they and the rest of the cast create are what really make the movie work. In that sense it's similar to "Napoleon Dynamite". If a fan of the movie is asked, "What is 'Naopleon Dynamite' about?" The fan wouldn't describe the plot of the move. Instead, the response would be, "Those guys are just funny. You'd just have to watch it to get it." Meredith's "Katelyn" is a naive young lady who wants nothing more than to be famous. Does she want to be a pop singer? Or a movie star? Or the host of a TV show? It doesn't matter. She just wants to be a celebrity. Unfortunately she doesn't seem to have the talent or the resourcefulness to become one. Matt's "Dave" is as equally clueless as his daughter, Katelyn. Dave sees himself as the last bastion standing for freedom and liberty against the tyranny of his small town mayor and her evil henchmen called city councilmen. To see how this develops and affects his daughter you're going to have to watch the movie. Another reviewer stated the movie has too many unnecessary scenes. I have to agree with that. It's probably my biggest gripe of the film. The writer/director would have done himself a favor if he had brought in a second party to give him ideas on the storyline and/or editing of the movie to make the movie flow more smoothly by getting rid of the superfluous scenes or dialog. Aside from the acting I appreciated the message it sent about today's impact of social media. Never before has Andy Warhol's quote about everyone getting 15 minutes of fame been more true. It's shown in a comedic light, but you can honestly see how ridiculous it is for people like the Kardashians to be famous for no reason, or how the public can try and convict someone after watching a 90 second video on YouTube. Overall its a quirky, independent film that will appeal to those who appreciate subtle comedy provided by talented actors creating over the top characters.

IgaxNov 22, 2022

This movie was a surprise. From the beginning, the plot and the evolution of the story depict characters' "passions" and obsessions. Those obsessions are moving the characters away from self awareness. I understand that there is a tendency in the movie to criticise the presence and the usage of social media in our every day lives. Which may lead to the obsession of image cultivation, of a successful media persona. Everyone want a piece of the success story so bad, without analysing what success is. Well no spoilers but the finale is simply magnificent. A psychiatrist's happy end. A real substantial drama.

Courtnaé PaulNov 22, 2022

I cannot think of when I've seen so much talent squandered in a comedic movie as with David Cross's 'Hits'. But then again, I'm not convinced this was supposed to be a comedy. It is possible Cross has gotten so advanced in his irony that this 90 minute critique of the unwashed flyover idiots - and the equally gullible New York "hipsters", and, honestly, everybody but Cross himself - is actually a hybrid documentary, the actors unawares they were executing the author's cunning critique of how gullible everybody in the world is, except the Davidians, of course. Cross has talent like Amy Sedaris, Michael Cera and the always hilarious Dave Koechner, and uses them for all of a couple scenes each, never once putting them in a situation where they can show off their comedic abilities, rather, rolling out one tired, pandering inside joke after another. In one scene where Michael Cera sells pot to a few nerdy hipsters, the comedy centers around how particular some potheads are over their specific type of grass, a hilarious set piece if you happen to be one of the hundreds of people in the world that has witnessed such absurdities. The script is trite, cliché and one dimensional. It is so clumsy getting out of the gate that a full 45 minutes in I still had no idea what the movie was about, nor had I laughed once, nor did I care about a single character. In the end, Hits is nothing more than a blathering and pointless monologue, typical of Cross in recent years, where he criticizes the minutia of people that are not as enlightened as he and his cult. To confirm that I'm not just using hyperbole, go to Youtube and look for Cross's diatribe on Jim Belushi, all because Belushi didn't sign an autograph once. It's proof positive Cross has lost his mind, and the defense of his idiotic actions in the comments section evidence of a cult. It seems incredible that with all the success Cross had in the past with the highly acclaimed Mr. Show and his hilarious turn in Arrested Development, he could not find a better project to put his time and efforts into than... well, most everything he's done, and now this pointless waste of time. One has to wonder if maybe it was Odenkirk that came up with all those funny ideas on Mr. Show and Cross was just in the right place at the right time. He is a funny actor, no doubt, but I'm afraid he's become twice the gullible idiot of those he finds copious time to ridicule.

مالك_جمالNov 22, 2022

Ahhh, Hits. It's one of those movies that you want to like going in more than you actually like after seeing it. I think the main problem with this movie is that it suffers tremendously from "my first film" disease. Cross wrote and directed it, and because of that doesn't seem to be willing or able to throw anything away. For example, Michael Cera plays a drug dealer and has two scenes. In those scenes we find that another character really likes a particular type of weed. That character's liking that particular type of weed is never referenced thereafter. (Nor is weed itself!) In other words, the two scenes with Cera are entirely superfluous to the story, they don't have us gain any insight into the characters (other than weed choice), and in general are just a waste of the audience's time. They don't make the characters any more relate-able, they don't draw you into the story, they just sit there like giant boxes on a storyboard taking up time and space but not advancing anything. In a similar vein, we learn that another character's wife is baby crazy. This character being baby crazy is not used for comedic effect, it doesn't affect the actions of the main characters in any way, and again just takes up time. The movie would be exactly the same (the characters would still have motivation and do exactly the same things) if that entire character was excised from the script! So if that character is a giant GNDN, why are we wasting time learning about them? Both of these scenes really typify the problems that Hits has; it has the genesis of a lot of funny ideas but few are seen through to completion and payoff. Baby crazy lady could make an unexpected entry into the final train wreck scene, adding tension and zaniness. Instead she attends safe and sound via teleconference -- no zaniness or tension there. The other character's choice of weed (or even tendency to smoke weed!) could have been used to play off the cops that are around town. Nope. Even one character who is caught peeping in a window is never brought to justice nor is said peeping ever referenced again. What a waste! The giant train wreck at the end is a proved winning formula for a movie, but unfortunately comes very late. Moreso, it isn't a large enough train wreck payoff to satisfy the journey getting there. It needed more characters' threads coming together rather than only three to be a really satisfying payoff. More to the point, the great reveal is handled fairly ham-handedly and is formulaic. There are some funny scenes in Hits, but as Cross' own introduction says you'll laugh more than three times but definitely less than ten. The movie itself isn't a train wreck, but I really wish it was more (and paradoxically, less) than it currently is.

ferny🥀Nov 22, 2022

Maybe the movie would have been better if David Cross was actually in it, instead being behind the scenes as writer director. The Mr. Show star turns what feels like a few sketches into one big movie about a girl trying to be a star in this era of Reality TV shows like Teen mom which the protagonist is obsessed with and social media, while her dad is getting the attention she thinks she deserves when his complaints about a pot hole in his street goes viral and all the hipsters from Brooklyn come out to help him. The movie was not funny, although I'm in complete agreement with the joke, it did not make me laugh one bit sorry to say. It was cool that David Cross got all his friends like Micheal Cera to take small roles adding to the feel of it being a bunch of sketches. Overall, I got no real satisfaction on his parody of today's version of fame

Naesy NyarkoNov 22, 2022

Sundance London gets underway this weekend with a neat selection of American independent narrative and documentary films that premiered at the US Sundance in Utah. One film we would like to recommend is Hits, the directorial debut of writer, comedian and actor David Cross. Many will best know Cross as the character Tobias Fünke in the American sitcom Arrested Development. Hits provides an amusing vehicle to satirise a number of aspects in modern US society from celebrity wannabe culture to the YouTube generation. The movie is set in a small town in upstate New York where we find Katelyn (Meredith Hagner) a young woman, who spends a lot of time pretending that she is being interviewed by chat show host Ellen. Katelyn, who is obsessed with celebrity and fame spurred on by reading "real life" magazines and watching reality TV, is confident that she has the talent to be a famous pop singer. Katelyn has been offered the chance of having a demo made of her singing if she can find the money and sees this as a guaranteed way to getting on the singing show The Voice. Then there is Katelyn's dad Dave whose main purpose in life outside his normal day job is to attend public council hearings arguing about poor public services and upkeep, potholes and his rights as a citizen under the Constitution. Although Dave is obviously somewhat unhinged he ridiculously becomes part of a huge media circus after a YouTube video is produced portraying him as a notable and worthy small town activist taking on the system. Bewildered by her dad becoming the focus of national media interest Katelyn becomes even more determined to get her demo made giving in to the demands of a stoner guy who has his own studio. It's pretty fun stuff as the laughable hipster activist crew headed by Donovan turn up to help Dave's quest for justice only to find a rival hipster activist 'think tank', news teams and others muscling in with the same idea. Given the easy and seemingly numerous targets for critique in our internet, celebrity obsessed culture there is obviously a lot for the taking and which Cross does manage to nail. How anything stupid can become a YouTube hit, how having no talent of any kind may not be a hindrance in becoming famous, the kind of people who use social media to bluster or do "projects", without much initial fact checking or preliminary research, or undiscerning ranting citizen's who listen to or read too much extremist or hyperbolic media. Along with the obvious targets Cross also manages to weave in little insights of dark and sad nuances of our modern world but always with a touch of humour for good measure. Like hipster Donovan's wife Maddy who seems to be more in love with a kind of consumer's passion for all things cute as much as she is about actually having a kid. There is a funny scene where Donovan and Maddy get supremely weird talking with their young weed dealer-*-possible surrogate son, a cameo role played by Michael Cera (Juno, Arrested Development, Superbad). There is also a sweet but sad moment when Katelyn muses about how great her dad is but at the same time seemingly aware of how self centered she may be in the relationship. You get the feeling that mass media has made her that way and that the media has a lot to do with stoking the dark underlying views of her father who on the flip side does indeed seem like a stand up dad. So all in all Hits is as much about how the media today is out of control and the type of people and society it is creating – a funny ride definitely worth catching if you can.

user1017981037704Nov 22, 2022

Hits