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Run Into Every Story

Title SpotlightDrame

The Boys in the Band

Drame

Un groupe d'hommes homosexuels se réunit pour une fête d'anniversaire en 1968 à New York, jusqu'à ce que les festivités soient interrompues par un visiteur du passé qui chamboule la soirée.

Année

2020

Durée

2h 1m

IMDb

6.8

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Hero Poster

Casting

Joe Mantello

Director

Jim Parsons

Michael

Zachary Quinto

Harold

Casting

Joe Mantello

Director

Jim Parsons

Michael

Zachary Quinto

Harold

Matt Bomer

Donald

Andrew Rannells

Larry

Charlie Carver

Cowboy

Robin de Jesus

Emory

Brian Hutchison

Alan

Michael Benjamin Washington

Bernard

Tuc Watkins

Hank

Brian Dole

Young Bohemian

MT

Mark Thomas Young

Young Peter Dahlbeck

Alpha Miknas

Young Bernard

Paul Douglas Anderson

Mover #1

MB

Marc Basil

Mover #2

Jack O'Connell

Doorman

Walter Cox

Hotel Manager

Tina Fabrique

Knitting Woman

Tyler Miles

Handsome Preppy Man

Mart Crowley

Writer

Ned Martel

Writer

Bande-annonce

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Commentaires

10 commentaires

Elsie ❤️Jun 14, 2025

I'm sure some might find this film "outdated", too depressing and pessimistic. But it must be taken into consideration that it depicts gay life and identity in 60s. If it had depicted them from a very 21st-century point of view, it would probably have betrayed the authenticity of the period. Here, the characters are trying to come to terms with their identity, to find their place in a society that mostly rejects and bashes them, and remain a closed group of friends despite their personal differences. It touches upon issues like beauty, aging, depression, self-rejection, self-hatred,relationships (romantic and friendly), religion, race as they all relate to gay identity. Nine characters all representing different aspects of gay identity, when brought together, present a comprehensive and multi-faceted understanding of being a gay man in the 60s. The acting is good and the roles really fit the actors playing them. (Matt Bomer is such an eye candy, I wanna see him more in movies!!!) The dialogue of often witty and sassy. I must admit that while the overall sassiness was quite fun for the first half of the movie, in the second half, where things get pretty serious and dramatic, it felt a bit cruel. I have also seen the 1970 Friedkin version. What new elements does the 2020 one offer? It has scenes ourside Michael's house. The film opens with little scenes depicting each of the characters in their lives and contributing to character development from the start. During the phone call game, the film also has flashback scenes, which make the past memories somewhat more concrete. It also has a few sexually explicit scenes. Other than that, the story and dialogue are pretty much the same. Lastly, we must not expect all queer stories to tell empowering, optimistic stories. Yes, this film is very dark and depressing, but it is just another prespective on life and individual experience. No queer character represents or talks on behalf of the whole queer community, nor do the characters in this film. They mostly manage to feel real within themselves, which is more important.

user4529234120238Mar 21, 2025

🖤الفتاة الغامضة🖤Mar 21, 2025

denzelxandersMar 21, 2025

PromiseMar 21, 2025

ZoeeyyyMar 21, 2025

user303421Mar 21, 2025

UYoOjJJan 7, 2025

to watch later

KntzdZMar 25, 2024

saved

😂😂mol sndala 😉😉May 30, 2023